SKY-SEA
15/September – Pécs, 16/September – Ceglédbercel, Hungary International coproduction Creative performers: Batarita (H), Ken MAI (J), KO Jihae (KOR), IWAOKA Tashi (J), Carmen FUMERO (S) Music: TÓTH Barnabás (H), DOMONKOS Emőke (H), ILCIK Dániel (H), UHERKOVICH Gál Győző (H) Idea of Batarita, production of Batarita Dance Company.
Flower
Choreography, dance, costume, set, visual: Batarita, SHIN Eunju Music editor: Xrc KOVÁCS Balázs Life is hidden of the process of becoming an individual, in the power of the individual. The harmony within the power of individual is the true beauty of nature, Nature is full of order and confusion, harmony and entanglement, yet it flowers again and again, beyond time and space. Batarita and SHIN Eunju created their third joint performance after 2015 and 2016. Their co-production full of sensitive intertwinement and contrast could be seen in the National Dance Theater in Budapest in 2020 following the Korean premier in November 2019. Supporters: Busan Cultural Foundation, Touchpoint Art Foundation, Ministry of Human Capacities 2020.01.17. – Hungary, Budapest, National Dance Theater
Mirror-Clouds
International co-production. Creator-performer: Batarita, Karas (J) Egerszólát, Ceglédbercel, Budapest (Hopp Ferenc Museum of Asiatic Arts), Hungary
Quiet Power
International co-production. Creator-performer: Batarita, Karas (J) Egerszólát, Ceglédbercel, Budapest (Hopp Ferenc Museum of Asiatic Arts), Hungary
Wind
Ethereal
Batarita's solo in Daegu, in Korea.
Five
International co-production in Tongyeon, in Korea. Creator-performer: Batarita, Anne-Mareike Hess (Lux), Christine Bonansea Saulut (USA-Fra), Shin Eunju (Kor), Gang Mi Hee (Kor)
Lake
International co-production. Jeju, International Improvisation Dance Festival, Korea
Tree
International co-production. Creator-performer: Batarita, Mike NORD (USA) Jeju, International Improvisation Dance Festival, Korea
Flower
Choreography, dance, costume, set, visual: Batarita, SHIN Eunju Music editor: Xrc KOVÁCS Balázs Life is hidden of the process of becoming an individual, in the power of the individual. The harmony within the power of individual is the true beauty of nature, Nature is full of order and confusion, harmony and entanglement, yet it flowers again and again, beyond time and space. Batarita and SHIN Eunju created their third joint performance after 2015 and 2016. Their co-production full of sensitive intertwinement and contrast could be seen in the National Dance Theater in Budapest in 2020 following the Korean premier in November 2019. Supporters: Busan Cultural Foundation, Touchpoint Art Foundation, Ministry of Human Capacities Premier: 2019.11.01. – Korea, Busan, Busan Dance Theater
Mirror-Clouds
International co-production. Creator-performer: Batarita, Karas (J) Egerszólát, Ceglédbercel, Budapest (Hopp Ferenc Museum of Asiatic Arts), Hungary
Quiet Power
International co-production. Creator-performer: Batarita, Karas (J) Egerszólát, Ceglédbercel, Budapest (Hopp Ferenc Museum of Asiatic Arts), Hungary
Wind
Batarita's solo in Busan, in Korea.
Ethereal
Batarita's solo in Daegu, in Korea.
Five
International co-production in Tongyeon, in Korea. Creator-performer: Batarita, Anne-Mareike Hess (Lux), Christine Bonansea Saulut (USA-Fra), Shin Eunju (Kor), Gang Mi Hee (Kor)
Lake
International co-production. Jeju, International Improvisation Dance Festival, Korea
Tree
International co-production. Creator-performer: Batarita, Mike NORD (USA) Jeju, International Improvisation Dance Festival, Korea
Naked Moon
Choreography, dance, costume: SHIN Eunju, Batarita
Light: Batarita
Two woman arrive with special and dissonant feeling to the mistic night. Their body are only the shadow of the reality, only the vibrant energy ball.
Premier: 2016, E10, Budapest, Hungary
Being and Nothingless
Idea, directing, video, sound and light design: KAWASAKI Yoshihiro
Choreographers and dancers: SHIN Eunju, SUMI Masayuki, Batarita
Premier: 6th October, 2015, International Dance Market, Busan, Korea
Other performance: 2016, National Dance Theater, Budapest, Hungary
While this work does current astronomy for a hint,
It is the work that philosophy of the Buddhism was made by a backbone.
With human existence in this space and the meaning?
And with the meaning of the existence of the unit in the terrestrial world?
It progresses while asking them.
Water Drop in the Fish-eye
Performance premier: 2015, National Dance Theatre, Budapest, Hungary
Film premier: 2016, 26th Mediawave International Film and Music Festival competition program of HUNGARIAN DANCE AND EXPERIMENTAL FILMS, Hungary
Written and directed by Batarita (Hungary)
Kamera and editing by Constantin GEORGESCU (Romania)
Choreography, light: Batarita
Dancers: Batarita, PYO Sangman (South-Korea)
Music: PYO Sangman, XRC KOVÁCS Balázs (Hungary)
Costume: HORNYÁK Isty (Hungary)
Distributor, producer: Touchpoint Art Foundation (Hungary)
„I am man and woman.
I am human and animal.
I am East and West.
I am beauty and ugliness.
I am pleasure and pain.
I am creation and destruction.
I am possession and remittal.
I am love and hate.
I am God and mote.
Everything is complet like this.”
/Batarita/
Women Body
Premier:
National Dance Theater, Hungary
Performed:
-Gudalajara, Mexico
-Auditorio Cecatur - Puerto Vallarta, Mexico
- Kalyanamit - ChiangMai, Thailand
Batarita (Hungary), Gabriela CUEVAS ABITIA (Mexico),
KIM Yunjung (Korea), Sonoko PROW (Thailand)
What does a body carry within itself? What does a body remember?
What does a woman’s body carry within itself? What does a woman’s body remember?
What do women’s bodies from four different corners of the world carry within themselves?
What do women’s bodies from four different corners of the world remember?
International co-production opportunities always increase artists’ creativity, especially when this is a long-term opportunity and not just a week or two. This is one the ways in which this creative project differs from others. The team of choreographers from four different parts of the world began working together in December 2013 in Chiangmai, Thailand, where a month-long series of rehearsals was followed by a working performance. The second series of rehearsals, which also lasted for month, and the premier are taking place in Budapest, in the National Dance Theatre. But the project doesn’t stop here! According to plans, another month of co-operative work will precede the Mexican tour, which will provide further opportunities for the re-interpretation of the piece.
Music: KEREK István, XRC Kovács Balázs
Costumes: HORNYÁK Isty
Production assistant: PINTÉR Gábor
Light: Batarita
Choreography, dance and visuals by BATARITA, Gabriela CUEVAS ABITIA (Mexico), KIM Yunjung (Korea), Sonoko PROW (Thailand)
Hidden Dimension
2014 - Rakudoan Theater, Tokyo, Japan
2014 - Mediawave Festival, Komárom, Hungary
2015 - Rakudoan Theater, Tokyo, Japan
2016 - Stony Brook, New York, USA
Performers: Batarita (H), KARAS (J)
Music: SEKINO Hideo (J)
Instant Message
Choreography, dance: Batarita, MEGURO Daiji (J)
Music: Xrc KOVÁCS Balázs, KEREK István
Costume: HORNYÁK Isty
Light: Batarita
Bird Theater, Tottori, Japan
National Dance Theater, Budapest, Hungary
SIDance Quartet: Inten(s/t)ion
Constantin GEORGESCU (Romania) - IJODEE Dance Company
(Nigeria) - Shang-Jen YUAN (Taiwan) - Batarita (Hungary)
2012 - SIDance Festival, Seoul, Korea
2013 – Atrium Theater, Budapest, Hungary
The piece is one of the outcomes of a 6-month artist residency
program in Seoul given by the Ministry of Culture, Sport and
Tourism of South Korea. Four choreographers were invited to
create a new dance coproduction and to present at Seoul
International Dance Festival, the major dance event in South
Korea. Invited artists were: Constantin Georgescu from Romania,
Adedayo M. Liadi from Nigeria,Shang-Jen Yuan from Taiwan and
Batarita from Hungary.
Cupido
Choreographers, dancers: Batarita, Ken MAI (J)
Kesztyűgyár, Budapest, Hungary
Ko Murobushi (J) & Batarita: Leftover Shadow
Work in progress: 2010, Paris - France
Premier: 2011, Merlin Theatre, Budapest - Hungary
Other performances: 2011, Bratislava – Slovakia, Krakow - Poland
Leftover Shadow
The question: what is memory, time and space.
Our bodies always live together with the new possibility and impossibility.
It means our bodies live together with our death.
Our bodies live in becomingness with nothingness.
The workshops of Ko MUROBUSHI showed great interest all around the world.
Several times Batarita (first in 2004 as a Dance Weber) also took part in the master’s courses,
which was then followed by the performance of
Ko MUROBUSHI at the 1st Butoh and Performing Arts Festival in Budapest in 2009.
Here the two artists had the chance to get into closer contact with each other.
In 2010 they met again in Vienna, where as an effect of a long conversation the idea
of the coproduction appeared. They started to work on the duet „Leftover Shadow”
in Paris in 2010, which was then finalized during the rehearsals right before the Festival in
2011.
Yoshito Ohno (J) & Batarita: Translucent
Premier: 2009, National Dance Theatre, Budapest, Hungary
Other performance: 2011, Merlin Theater, Budapest, Hungary
Yoshito Ohno, born as son of Kazuo Ohno. Trained for modern
dance under his father in his youth. First appeared on stage in
Kinjiki (Forbidden Colors) in 1959, choreographed by Tatsumi
Hijikata. It was regarded as one of the earliest piece of Butoh. In
the 60s, joined in Hijikata's series of performances and in 1969
premiered the solo performance. After some years of not
performing his come back to the stage was in 1985 in the Dead
Sea directed by Hijikata, in collaboration with Kazuo Ohno, his
father. In 1989 Dead Sea was presented also in IMMT Festival in
Budapest. Recently, apart from the solo activities, also
collaborated with Lucie Gregoire (Canada) and Batarita
(Hungary), In 2010, premiered “Promising Morning” in the Kazuo
Ohno Festival 2010, collaborated with Wuppertal Tanztheater’s
Eddie Martinez and Julie Stanzak.
A part of the piece is based on the choreography by Tatsumi
Hijikata for Yoshito Ohno when butoh was born, who later
adopted, transformed it according to his own experiences. The
peculiarity of the Budapest premiere in 2009 was that this time
Yoshito Ohno together with Batarita attempted to reinterpret
the solo made 40 years ago.
“How does human body gain power in the most lost situations?
Where do these energies lead from and lead to? What does it
mean to hit upon the truth of nonsense?”